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Scoop.it!
Le 17 octobre s’est tenu dans l’auditorium de Francetélévisions un Atelier Dig-it intitulé « Dématérialisation des contenus à la TV : les clés de la réussite ! » réunissant les meilleurs spécialistes français de la question, ainsi que plusieurs experts internationaux. 
Nicolas Weil's comment,
October 26, 2012 8:18 AM
Impossible, j'étais à Mexico ce jour-là !
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Scoop.it!
Harmonic Inc has announced the release of the new Omneon MediaGrid System Software Version 3.1, designed to support the performance needs of high-end post-production workflows. Equipped with this software, MediaGrid storage systems can support ingestion, editing, colour correction, grading, and manipulation of uncompressed media. This advance extends the success of previous MediaGrid versions in post-production workflows for use with high-bit-rate compressed formats such as ProRes 444 and Avid DNxHD.
"Most post-production companies use complex and expensive Fibre Channel SAN storage because it's been the only alternative that meets their performance needs," said Ravi Parthasarathy, senior director, product line management, media storage at Harmonic. "MediaGrid provides the post-production industry with a new storage paradigm that will meet its demanding performance requirements, uniquely maintain consistent levels of performance over time, reduce costs, and simplify operations."
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The Digital Production Partnership (DPP) has today unveiled a major industry report, “The Bloodless Revolution: A Guide to Smoother Digital Workflows in Television.” The report is the first published guidance on digital workflows to be issued on behalf of ITV, Channel Four and the BBC. It seeks to help producers and suppliers achieve a smoother transition to fully digital production.
The new guide follows the publication of the DPP’s report on breaking down the barriers to digital production (The Reluctant Revolution, September 2011). One of the claims made in the first report was that the pace of change in the industry was held back by a lack of commonly agreed ways of working. It observed that greater guidance is needed if the industry is to complete its move from tape-based to file-based production.
READ GUIDE HERE : http://www.digitalproductionpartnership.co.uk/PDF_Outputs/DPP_Bloodless_Revolution.pdf
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Hollywood DI in conjunction with Sony Electronics, Avid and Blackmagic Design will provide a technology preview of the Sony SR Codec workflow at the SMPTE 2011 Technical Conference and Exhibition, Oct. 24-27 at Renaissance Hollywood Hotel & Spa in Hollywood. Incorporating many of the latest SMPTE standards, Avid Media Composer editing software and Blackmagic Design’s color correction software, DaVinci Resolve deliver the benefits of a standards-based architecture.
Hollywood DI will demonstrate a cost-effective workflow for editing and coloring SR Codec digital content leveraging its FLOworks methodology. Hollywood DI will conduct a technology preview of the interchange of SR Codec footage between Avid Media Composer and Blackmagic Design DaVinci Resolve. The demonstration footage was shot on Sony’s F65 CineAlta camera and converted to the SR Codec using the SRMASTER Recording system.
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