Video Breakthroughs
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Video Breakthroughs
Monitoring innovations in post-production, head-end, streaming, OTT, second-screen, UHDTV, multiscreen strategies & tools
Curated by Nicolas Weil
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Elemental Software Release 2.0 Advances Unified Platform for Multiscreen Video : DASH, HEVC, Access DRM, Dolby for HLS and Smooth... [PR]

Elemental Software Release 2.0 Advances Unified Platform for Multiscreen Video : DASH, HEVC, Access DRM, Dolby for HLS and Smooth... [PR] | Video Breakthroughs | Scoop.it

Designed to support next-generation GPU and CPU architectures, release 2.0 is now available for Elemental’s suite of products for video processing, packaging and streaming live and on-demand video. The release brings together a host of features for multiscreen video delivery to create a unified platform providing substantial benefit to Elemental customers:

 

•Increased performance – With next-generation processor architectures and an optimized video pipeline, Elemental systems offerdouble the performance and density of previous generation solutions in asingle RU footprint. Increased throughput allows customers tobring multiscreen assets to market more quickly and in a smaller footprint than ever before.

 

•Comprehensive codec support – Support for multiple codecs running simultaneously on a single platform provides customers with aseamless migration path from existing video delivery standards tofuture compression technologies. Elemental solutions offer MPEG-2,H.264, VC-1 and HEVC / H.265 encoding with patented compression technology as well as support for JPEG 2000 and ProRes mezzanineassets. 

 

•Current and future standards – In addition to support for common video streaming protocols such as Adobe RTMP and HTTP DynamicStreaming (HDS), Microsoft Smooth Streaming and Apple HTTP LiveStreaming (HLS), Elemental software supports newly emergingtechnologies including MPEG-DASH, Ultraviolet and 4K Ultra HD.

 

•Advanced encryption and protection – Secure content with a variety of integrated technologies including Civolution forensic watermarkingfor both live and VOD content, Adobe Flash Access, Apple Sample-AES and Microsoft PlayReady as well as DRM solutions from NDS, Verimatrix and Widevine.

 

•Increased monetization – Support for ESAM dynamic ad insertion and Nielsen ID3 tagging give pay TV operators a path to multiscreenvideo delivery and a way to deepen audience engagement andinteraction. Media companies can also take advantage of the Adobe Primetime ecosystem for ad insertion as well as ad integration solutions from BlackArrow and mDialog.

 

•Augmented audio options – With release 2.0, robust support for audio encoding is available across the Elemental product line, includingsupport for DTS Express, Dolby Digital, Dolby E and Dolby DigitalPlus. In addition, release 2.0 features support for Dolby Digital Plus inApple HLS and Microsoft Smooth Streaming, raising the bar for audio fidelity in the streaming market.

 

•Accessibility features – Audio loudness management lets broadcasters adhere to the CALM Act and new captioning features, includingcaption burn-in, SMPTE-TT and SCC file creation let content creatorsadhere to captioning requirements coming into effect later this year.Elemental makes it easy to caption content originally aired on television and destined for delivery over the Internet. 

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Video platform development in DENIVIP Media

Video platform development in DENIVIP Media | Video Breakthroughs | Scoop.it

DENIVIP Media has been creating video platforms since 2008 (usually in conjunction with services, portals and applications). Over the 4 years of developing ad-hoc video platforms for different projects, we have accumulated a decent expertise and information on many hindrances that are almost inevitable in video projects. In this post, I would like to brief you on how we design video platforms and what drivers have to be taken into account when creating a new or upgrading an old video platform. Also, I would like to note major forthcoming trends in the development of video platforms foreeable for the near future.

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Diving in Deep with Digital Rapids Kayak and Azure Media Services

Diving in Deep with Digital Rapids Kayak and Azure Media Services | Video Breakthroughs | Scoop.it

When we covered Windows Azure Media Services at the National Association of Broadcasters (NAB) show a month ago, one partnership highlighted in the mock-up demonstration that caught our eye was Digital Rapids' new Kayak technology.

 

At this week's Streaming Media East show, we asked Mike Nann, Digital Rapids director of marketing, to expand a bit on the tie between Kayak and Azure.

 

"At NAB, we demonstrated our solutions working with Windows Azure Media Services in two different ways," said Nann. "One way is in the context of Transcode Manager, and one is in the context of the Kayak workflow platform itself. While Kayak is our new workflow platform, Transcode Manager 2.0 is a specific solution built on the much-broader Kayak platform that can also run on Windows Azure."

 

Nann explains that Digital Rapids sees the tie-in to AMS taking on two forms when Transcode Manager 2.0 and Azure Media Services (AMS) are both launched later this calendar year.

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Streaming Video Technologies Panorama, part 2 : Server-Side Stream Repackaging

Streaming Video Technologies Panorama, part 2 : Server-Side Stream Repackaging | Video Breakthroughs | Scoop.it
There are basically two ways to sustain the extensive growth of video formats that you must, as a media distributor, serve to your different clients’ target devices : the most common answer is to choose the best in breed most-powerful encoders to prepare all the target formats during the content preparation time (see Panorama article N°1 on this topic), but you can adopt a different approach saying that you want to prepare your contents once and have the distribution part of the overall workflow take care of the repackaging and protection of the contents on the fly.

Server-side repackaging of the streams consists eventually in :
- choosing languages in audio and subtitle tracks available in the original mux (optional)
- transcoding/transrating the video content in different sizes/bitrates from a high quality video file (optional)
- applying a DRM compatible with the output format (optional)
- generating the manifest file corresponding to the target adaptive streaming technology (mandatory)
- remuxing and chunking the video data according to the output protocol requirements (mandatory)

Historically, repackaging was pushed as a quick solution for broadcasters to add iOS streams on top of existing Smooth or Flash streams. In a wider OTT/Adaptive Bitrate perspective, this alternative approach means : less files to manage in the main production workflow, less storage, less bandwidth to populate the origin servers, smaller time to contents’ online availability and easier support for new formats – shortly said, an agile path.

Potentially a risky one, but quite attractive…

Let's examine the available options on the market, to do it on your own platform or in the cloud !
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DBee/BaaO Webinar Series - Technologies et Tendance Vidéo [Présentation]

Nicolas Weil's insight:

Le replay du webinar est visible en ligne :

http://web.dbee.com/dbee/20121218/index.php

 

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Encoding.com Launches EDC Private Cloud, Targets Premium Content : Dolby Surround, Widevine DRM, UltraViolet

Encoding.com Launches EDC Private Cloud, Targets Premium Content : Dolby Surround, Widevine DRM, UltraViolet | Video Breakthroughs | Scoop.it

With EDC Private Cloud, Jeff Malkin, president of Encoding.com, says his company has solved the problem of premium content, finally bringing cloud encoding to major players. The solution includes fast and secure file ingest and upload (with partner Aspera), high-end processors, and vast storage. One key advantage is EDC Private Cloud's ability to move files quickly: Malkin says it can move files five to six times faster than Amazon can from S3 to EC2.

 

EDC Private Cloud offers Dolby Surround Sound audio, Widevine DRM, and UltraViolet compatibility.

 

Besides winning on speed, Malkin asserts that EDC Private Cloud, which uses an automated workflow, also wins on price. In its beta period, he says, it won RFPs with Synacor and Midwest Tape, turning in prices that are 20 percent of current market pricing.

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Wowza 3: Battle of Media Servers

Wowza 3: Battle of Media Servers | Video Breakthroughs | Scoop.it
Media server is a dedicated server to deliver audio / video content to users. Explosive growth of online video views has led to a substantial growth of the media server market and sharpening of competitive conditions (Adobe sued Wowza). Adobe Flash Media Server and Wowza Media Server are the main players on this market. Both products are actively developing. Their already impressive feature set is continuously enhanced with new fascinating functionalities. Earlier this year, Wowza announced its new release, Wowza Media Server 3. Wowza and Adobe are moving in the direction of cross-platform video content availability to all user screens. In this post, we’ll share our hands-on experience in testing Wowza 3 and give you an idea of its major functional innovations. First of all, in the new release, Wowza began to introduce new features as add-ons to the basic server. They plan to implement three add-ons: DRM, Transcoding and nDVR. DRM and Transcoding signify an obvious shift in favor of collateral products, and DVR is quite a long expected functionality.
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Allegro DVT Enhances its AL2000 N-Screen OTT Transcoder

Allegro DVT Enhances its AL2000 N-Screen OTT Transcoder | Video Breakthroughs | Scoop.it

Product evolutions include :
- Multi-encapsulation for multi-format streaming
- Generic DRM Interface lets customers use their own DRM system
- Upcoming support for VP8
- Enhanced H.264 rate-control mode

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